Arpita Sharma Kandpal, Gaurav Beri, Anupriya Arya, Tejaswini Pandey, Ria Mehra Mehra
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This study delves into the intricate landscape of perception of students of a state agricultural university towards viral social media content, offering insights into gender, mass media ownership, extent of use, sources of viral social media content, perception of students regarding viral social media content, as well as benefits and constraints. The respondents consisted of 60 post graduate students of a state agricultural university, with a slight majority of female students (56. 67%) and 43. 33 percent male students. The prevalence of smartphone ownership (95. 00%) and digital device usage (65. 00% for laptops/desktops) underscores their reliance on technology. Internet usage was widespread, with 85. 00% of students accessing it regularly. Our investigation revealed that YouTube serves as the primary source for viral social media content (85. 00%), followed by WhatsApp (68. 33%) and Instagram (66. 66%). Students exhibited diverse perceptions, with 71. 66% holding a neutral view, while 15. 00% leaned towards a negative perception, and 13. 33% maintained a positive outlook. Noteworthy benefits of viral content included its role in raising awareness (85. 00%) and fostering creativity (70. 00%). However, constraints were evident, notably the spread of false information (86. 66%) and concerns regarding addiction (65. 00%). These findings emphasize the paramount importance of promoting critical media literacy and responsible content sharing among students. In an era characterized by digital media dominance, this research enriches our understanding of how students navigate and engage with mass media and viral content, spotlighting both the opportunities and challenges they
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Arpita S. Kandpal, Gaurav Beri, Anupriya Arya, et al. Perception of Students towards Viral Social Media Content. Ind. J Agri Busi 2024;10(1):07–14.
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Received | Accepted | Published |
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November 06, 2023 | December 30, 2023 | June 05, 2024 |
Sunday 08 June 2025, 02:07:56 (IST)
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Received | November 06, 2023 |
Accepted | December 30, 2023 |
Published | June 05, 2024 |
This license enables re-users to distribute, remix, adapt, and build upon the material in any medium or format for noncommercial purposes only, and only so long as attribution is given to the creator.